A tribute to legends
It uses a 76PRE-style FET compressor circuit and optimized circuitry to deliver pristine sound quality. The interface features multiple preset modes via digital control for various applications.
Security policy Your personal data is 100% protected
Delivery policy 2 to 3 business days in France, 2 to 5 business days in Europe
Return policy 30 days in case of issues
Each input channel features a built-in boost mode and three different compression modes.
Boost Mode: Provides an additional 8 dB of gain to the overall preamp, bringing total preamp gain to 71 dB.
Vocal Compression Mode: Designed with moderate attack and release characteristics tailored to vocal performance, delivering a smooth sound.
Guitar Compression Mode: Fast response and smooth release specifically calibrated for guitar/bass, providing balanced, consistent levels.
Live Streaming Compression Mode: Offers the fastest compression characteristics, ensuring signal integrity and clarity during live broadcasts.
Professional AD/DA conversion for precision sound
The NAI-24 interface is equipped with high-quality professional AD/DA converter chips from the renowned manufacturer AKM (Asahi Kasei Microdevices).
Audio transformers: a quality choice
The NAI-24 features studio-grade audio transformers on the main output (1L/2R), adding warm sonic characteristics and ensuring electrical isolation to prevent ground-loop interference. (Note: Even when connecting unbalanced outputs on 1L/2R, the strength of the balanced output signal is still maintained.)
Simple and easy to use
The NAI-24 is an easy-to-use 2-in/4-out USB audio interface, featuring 48V phantom power and LINE IN toggle buttons. The interface includes HI-Z inputs, two independently adjustable headphone outputs, monitoring adjustment (soft/hard), stereo mode, and loopback.
With ultra-low latency of 3.17 ms at 192 kHz and a 32-sample buffer, the NAI-24 meets professional demands.
By holding the (OUT 3/4) button, you can switch Headphone 2’s output to monitor channels 3/4. (For example, when playing backing tracks during a performance, send the metronome track separately to the drummer.)
One pair? No, you need two
A/B Mode: In this mode, you can connect active studio monitors to the (1L/2R and 3L/4R) outputs simultaneously and switch between them with a single click by pressing the (OUT 3/4) button.
Let me hear it
Recording Mode: In this mode, when using the main channel (1L/2R), pressing the (OUT 3/4) button lets you adjust the sound sent to channels 3/4 with a single click. (For example, the sound engineer may need to temporarily adjust the tracks sent to the musicians who are recording.)
Add external effects to existing recordings
In recording mode, easily connect various external effects modules for a new take.
Get off to a great start
Licensed professional recording software CUBASE 13 LE is included with the interface.
- Power: USB-C
- Phantom power: 48V, Yes
- Category: audio interface
- Color: Blue
- Dimensions (mm): 194x128x67
- Form factor: desktop
- MIDI interface: No
- Included software: Cubase LE
- Number of inputs: 2
- Number of analog inputs: 2
- Number of outputs: 4
- Number of instrument inputs: 1
- Number of mic inputs: 2
- Weight: 0.72 kg
- Max resolution: 32-bit
- Additional specs:
- 2-in/4-out USB audio interface - 32-bit/192 kHz
- Class A transistor preamplifier offering a wide dynamic range and ultra-high resolution
- 76PRE-type FET compression circuit with multiple preset modes for various applications
- Studio-grade audio transformer on main outputs 1L/2R for detailed sound reproduction
- Additional 3L/4R outputs for auxiliary routing, enhancing versatility across different setups
- Two high-performance headphone amplifiers with routable channels for a personalized mix
- USB bus-powered, no external power required
- 48V phantom power switchable per channel
- Ultra-low-latency direct monitoring for real-time performance
- Stable, reliable signal transmission via high-quality XLR and 6.35 mm connectors
MIC IN
Dynamic range: 114 dB (A-weighted)
Frequency response: 20–20,000 Hz ±0.1 dB
THD+N: 0.002% @ -1 dBFS (at minimum gain)
EIN: -126 dB (A-weighted)
Maximum input level: 6 dBu (at minimum gain)
Gain range: 5.4–63 dB
Input impedance: 2.4 kΩ
LINE IN
Dynamic range: 114 dB (A-weighted)
Frequency response: 20–20,000 Hz ±0.12 dB
THD+N: 0.003% @ -1 dBFS (at minimum gain)
Maximum input level: 26 dBu (at minimum gain)
Gain range: -12.6–45 dB
Input impedance: 21 kΩ
HI-Z
Nominal input level: -10 dBu
Input impedance: 1 MΩ
1L/2R
Dynamic range: 112 dB (balanced, 600 Ω, A-weighted)
Frequency response: 20–20,000 Hz ±0.5 dB
Maximum output level: +12.4 dBu (balanced, 0 dBFS)
THD+N: 0.0015% @ -1 dBFS
Output impedance: 580 Ω
3L/4R
Dynamic range: 112 dB (balanced, 200 kΩ, A-weighted)
Frequency response: 20–20,000 Hz ±0.1 dB
THD+N: 0.001% @ -1 dBFS
Maximum output level: +18.4 dBu (balanced, 0 dBFS)
Output impedance: 240 Ω
PHONES OUTPUT
Dynamic range: 104 dB (A-weighted)
Frequency response: 20–20,000 Hz ±0.25 dB
THD+N: 0.005% @ -5 dBFS
Output power: 30 mW @ 32 Ω
Specific References
check_circle
check_circle
NUX NAI-24 USB audio interface, 2-in/4-out
2-in/4-out USB audio interfaceA tribute to legends
It uses a 76PRE-style FET compressor circuit and optimized circuitry to deliver pristine sound quality. The interface features multiple preset modes via digital control for various applications.
What are you looking for?
English GB
Français
Español
Deutsch
